Sad Iron - 12 x 12 in, oil on canvas mounted on panel, 2012
Monday, August 27, 2012
Sunday, July 15, 2012
Thursday, April 19, 2012
Sunday, April 8, 2012
New work at Buy What You Love 2012 fundraiser
On Monday, April 23, I will have a new painting and a print at the Rema Hort Mann Foundation, "Buy What you Love" 2012 Fundraiser. The event will be held at The Hole Gallery at 312 Bowery St. from 6:30-9:30pm. Hope to see you there!
Saturday, January 7, 2012
Friday, January 6, 2012
Sunday, December 11, 2011
Prints and Paintings at Milavec Hakimi Gallery
Please join me at Milavec Hakimi Gallery on December 15 for "A Holiday Shindig", a holiday celebration party of a show which will include new pieces such as prints and drawings. The show will be on display starting December 15 through January 4th. Hope to see you there!
Milavec Hakimi Gallery
"A Holiday Shindig"
December 15, 2011 6 - 9 pm
51 Cooper Sq. New York NY 10003
Visit milavechakimiart.com for more information.
Milavec Hakimi Gallery
"A Holiday Shindig"
December 15, 2011 6 - 9 pm
51 Cooper Sq. New York NY 10003
Visit milavechakimiart.com for more information.
Saturday, October 22, 2011
"Serenity Now" Group Show Opens 11/1
Please join me on Tuesday, November 1 for the opening of
“Serenity Now”, a group show featuring my most recent paintings. In these
pieces, I explore the contrast between deep reverence and flippant disposal of
the same object by meticulously painting mundane objects and everyday detritus.
The objects I choose to paint are fragments of my direct surroundings and the
connotation is inspired by autobiographical nuances. I look forward to sharing this occasion with everyone and
hope to see you there!
“Serenity Now”
On view November 1st - December 9th
Opening Reception: Tuesday, November 1, 6-9pm
Milavec Hakimi Gallery
41 Cooper Square New York, NY 10003
Gallery Hours: Sun-Thurs 11am-9pm, Fri 11am-6pm, Sat
7pm-10pm
For more details, visit this page or www.milavechakimiart.com.
For more details, visit this page or www.milavechakimiart.com.
Monday, October 10, 2011
Painting on leather (Trey Anastasio of Phish)
This is an image of Trey Anastasio I painted on a leather jacket as a collaboration with Evan Gruzis, and is currently part of his show at The Hole, titled Exotic Beta. It is acrylic on leather and available for purchase in their merchandise shop. Check out the show and hope you enjoy!
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| Image by Kathy Grayson |
Tuesday, September 6, 2011
Upcoming NYC Show
My work will be shown in a group show at the Milavec Hakimi Gallery in the East Village (NY). Will update details soon!
http://www.milavechakimiart.com/
Saturday, June 4, 2011
Friday, June 3, 2011
Thursday, September 9, 2010
"Balancing Act"
"Balancing Act" - 20in x 32in Oil Painting
I am interested in exploring and showcasing the overlooked by embracing and heightening each object's beautiful characteristics through a slow and patient process of painting. I believe that in such fast paced times, where the shock values reign supreme, the fascinating subtlety of the world around us is truly powerful, even though it tends to exist on the peripheries of our senses.
The conflict in this painting arises from the instability of the warped wood work, and the imminent danger created by the white window closing. While the still life is teetering on the edge of naturally warped wood, the centered metal handle of the window signalizes and foreshadows a slightly sadistic human intervention, definite in its purpose. This danger is further emphasized by the three rings which mark the absence of three other objects that were originally in the center of the window sill.



I am interested in exploring and showcasing the overlooked by embracing and heightening each object's beautiful characteristics through a slow and patient process of painting. I believe that in such fast paced times, where the shock values reign supreme, the fascinating subtlety of the world around us is truly powerful, even though it tends to exist on the peripheries of our senses.
The conflict in this painting arises from the instability of the warped wood work, and the imminent danger created by the white window closing. While the still life is teetering on the edge of naturally warped wood, the centered metal handle of the window signalizes and foreshadows a slightly sadistic human intervention, definite in its purpose. This danger is further emphasized by the three rings which mark the absence of three other objects that were originally in the center of the window sill.

Wednesday, September 8, 2010
Sunday, June 13, 2010
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